a Toronto-based group dedicated to rebuilding a close working relationship between composer, performer and audience.
Please join mezzo soprano Ramona Carmelly, composer Chad Martin, pianists Elaine Lau and Joseph Ferretti, with producer Eleanor Johnston and special guest artists for intimate performances of rare and wonderful selections from the repertoire of vocal and chamber music. Selections for this season include magnificent songs by Ravel, DuParc, Mompou, Rachmaninoff and Wagner, as well as the premiere of a new commissioned song cycle from resident composer Chad Martin, and much more.
Our season of soirees opened with the debut event, Conversation, Canapes and Cancions, on November 16, featuring seldom heard songs by Henri Duparc and Federico Mompou, as well as some witty new inventive pieces for toy piano by our own Chad Martin, was very warmly received. The concept of a return to an intimate salon-style of music presentation with conversation, proximity and artistic immediacy is making a bit of a buzz among performers and audiences.
For the next concert Ravel and other pleasures, on Sunday February 22, 2009, at 5 pm, we are planning another eclectic program featuring Ravel’s fabulous Chansons Madécasses for voice, piano, cello and flute, with special guests Shauna Basiuk (flute) and Liza McLellan (cello), as well as Ravel's piano duet La Valse (the single piano, 2 pianists version by Lucien Garban) and Ravel's whimsical Ma Mere L'Oye (Mother Goose) Suite, and some special surprises. We hope to see many of you there!
And our program for spring, i will open petal by petal myself: love, poetry and song! on May 3, 2009 will be about love, poetry and song, featuring Wagner's lush and rapturous Wesendonck lieder and the exciting premiere of a newly-commissioned song cycle by resident composer Chad Martin,"i will open petal by petal myself", setting love poems of ee cummings. Don't miss this fabulous concert!
Come hear these gems performed in an intimate and accessible environment of camaraderie, with conversation, good company and complimentary refreshments. Then come back next season as we begin to explore the impact of socio-political events in the early 20th century, in particular the dissolution and/or evolution of the more intimate and accessible musical forms and performance styles, especially after the escape or expulsion of many composers from Europe during the growth of the Nazi regime in Germany and beyond.
for more information, please see Facebook: Quintimacy or click on one of the links above.